Thomas May reviews “Breathe, Come Together, Embrace” world premiere with the Seattle Symphony as “Densely packed with sinuous themes and arresting timbral contrasts.”

Thomas May writes about the Seattle Symphony’s “restorative opening night,” including a review of Poteat’s composition “Breathe, Come Together, Embrace.” Read the full review on BACHTRACH.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: