
Thomas May writes about the Seattle Symphony’s “restorative opening night,” including a review of Poteat’s composition “Breathe, Come Together, Embrace.” Read the full review on BACHTRACH.
Composer and Clarinetist
Thomas May writes about the Seattle Symphony’s “restorative opening night,” including a review of Poteat’s composition “Breathe, Come Together, Embrace.” Read the full review on BACHTRACH.