
Thomas May writes about the Seattle Symphony’s “restorative opening night,” including a review of Poteat’s composition “Breathe, Come Together, Embrace.” Read the full review on BACHTRACH.
Composer and Clarinetist
Thomas May writes about the Seattle Symphony’s “restorative opening night,” including a review of Poteat’s composition “Breathe, Come Together, Embrace.” Read the full review on BACHTRACH.
Melinda Bargreen of the Seattle Times writes: “Saturday night’s opener was a world premiere by the orchestra’s 2022-23 artist in residence Angelique Poteat: “Breathe, Come Together, Embrace.” Poteat’s new work in three contiguous sections is extremely accomplished and vividly picturesque, with a wide palette of tonal colors and lots of contrasts — all artfully unveiled by Morlot and the orchestra in a subtle, vital premiere.”
You can read the full article HERE.