Thomas May writes about the Seattle Symphony’s “restorative opening night,” including a review of Poteat’s composition “Breathe, Come Together, Embrace.” Read the full review on BACHTRACH.
Poteat’s Breathe, Come Together, Embrace reviewed in the Seattle Times as “extremely accomplished and vividly picturesque.”
Melinda Bargreen of the Seattle Times writes: “Saturday night’s opener was a world premiere by the orchestra’s 2022-23 artist in residence Angelique Poteat: “Breathe, Come Together, Embrace.” Poteat’s new work in three contiguous sections is extremely accomplished and vividly picturesque, with a wide palette of tonal colors and lots of contrasts — all artfully unveiled by Morlot and the orchestra in a subtle, vital premiere.”
You can read the full article HERE.